An edgy exhibit at New York City’s New Museum truly has a realistic idea of what’s going on in contemporary art and design today — as they make a statement about the future — featuring compelling evidence as to how technology like 3D printing gives many artists and designers new ways to experiment as well as manufacture their own designs for prototyping and selling.
The artists being featured are early in their artistic careers, and will have their work displayed in the exhibit, titled Oliver Laric, whom we have covered previously regarding a show he did with 3D Lincoln Scans at the Usher Gallery.
“Many of the works in the show look really closely at our present moment, a time when culture has become more porous and encompassing,” explained New Museum Curator Lauren Cornell, who is co-curating the exhibit with artist Ryan Trecartin. “The metaphor that Ryan [Trecartin] and I use is, ‘Surrounded.’”
While the show has a comprehensive mix of political and social statement, 3D printing certainly made its presence known as a new and viable medium, and was centered especially in Frank Benson’s Juliana. Benson, a New Yorker himself, chose to make a stunning statement with his entirely 3D printed piece, which is the third in a series of nude sculptures. Juliana is a striking statement with Benson’s use of 3D printing coupled with the complete nudity of transgender artist Juliana Huxtable — who is also featured in the show as an artist, with her self-portraits in the exhibit.
Full-sized, iridescent, and pushing boundaries with both technology and sexuality, the piece was originally not planned as a nude, but Benson wrote and asked her tentatively if she would consider allowing him to portray her like so.
“I was nervous of what she might think of that, so I sent her this intense email full of historical references,” said Benson.
Benson made sure to convey Huxtable’s personality, even in the buff, paying special attention to her braids and makeup.
“I want the sculpture to exist as a completely finished entity inside the computer,” Benson says. “The 3D model is its ultimate version and the print is the real-world manifestation of it.”
3D printing features extensively in the exhibit, with a mind-blowing display of creativity and mastery of various mediums, as well as technology. These artists are not just painters or sculptors, but true craftsmen and artisans with technical skill. They are building artworks, installations, and entire rooms of mixed media impressions and concepts.
Daniel Steegmann Mangrané’s work, Phantom, also integrated the Oculus Rift into his work as viewers entered a virtual reality 3D forest. Casey Jane Ellison made a 3D printed USB containing her stand-up comedy routine, which has with a surreal slant. Artist Josh Kline made use of 3D printing for props in a dramatic installation featuring a room filled with riot police bearing Teletubby faces.
Aleksandra Domanović mixed up media to use 3D printing for the Belgrade Hands, robotic hands, in her installation, SOHO (Substances of Human Origin). Again bordering on surrealism and horror, the design is from robotic prostheses straight out of the movie Demon Seed.
“Technology has changed all of our lives so dramatically, and really changed how art is being made, too,” said New Museum Director Lisa Phillips.
Have you used 3D printing in any artwork or mixed medium pieces? What do you think of the ideas behind the exhibited pieces? Tell us your thoughts in the 2015 Triennial: Surround Audience Exhibit forum over at 3DPB.com.